Larry Chernicoff vibraphone, piano, percussion
Don Davis woodwinds
Tim Moran woodwinds
Tom Schmidt bass
Tony Vacca percussion
The Quintet has
performed Larry’s music since 1984, to enthusiastic audience response.
The musicians are:
Tony Vacca
leads his own ensembles and a record label, World Rhythms. He conducts
rhythm workshops throughout the country, and has been a leader in uniting
western and and African musicians, with performances and recordings
on several continents. He is the founder of the Senegal-America Project.
He has toured with African pop icon Baaba Maal, and has been closely
associated with percussionist Massamba Diop and with the group Gokh-bi
System.
Tim Moran
is widely acclaimed as an innovative jazz performer. He continues to
perfrom with World Rhythms, and is a first-call session player. He has
had a 20 year collaboration with Tony Vacca. Along with several Rhythm
Mission releases, Vacca/Moran have released Wizard's Dance, Dance Beneath
The Diamond Sky, and City Spirits (with guest Don Cherry). Tim has recorded
and performed with many other bands. He has toured Europe and Japan,
and plays in the orchestras of national touring company performances
of Broadway shows.
Tom Schmidt
is founder and director of Karma Thegsum Choyang Music, dedicated
to the recording and preservation of Tibetan liturgical music. Choyang
Music has released four CD’s of Tibetan music and a children's CD. Tom
was a core staff member of the Creative Music Studio, and has worked
with Sam Rivers, Lee Konitz, Samad, Dave Liebman, Dave Holland, Bob
Moses, Jack DeJohnette, Ed Blackwell, Dan Brubeck, Carlos Ward, Jeanne
Lee, Steve Gorn, John Lindberg and others. In 2001, Tom recorded a musical
ceremony with His Holiness the 17th Gyalwa Karmapa and 3000 monks in
Bodhgaya India, under the Bodhi tree where Lord Sakyamuni Buddha attained
enlightenment.
Don Davis
attended Berklee College of Music and the Creative Music Studio. He
has performed and recorded with Carla Bley, Michael Mantler, Karl Berger,
the Microscopic Septet, the Waitresses, the Marc Black Band, Betty McDonald
Band, Toots and the Maytalls, LL Cool J, Ricco Barr and the Jump Jive
Review, among others. You can hear Don every day on NPR's Fresh Air,
playing alto sax on the introductory theme music.
“... in his
sold-out concert Saturday night at the Berkshire Museum,...Chernicoff
[led] one of the hottest bands around in a program of his idiosyncratic,
intelligent, witty, and accessible brand of improvisational music. You
may have heard this type of thing before, but to Chernicoff’s credit,
you’ve never heard it done like his band did it Saturday night.”
Berkshire Eagle
”... an impeccable
synthesis of jazz, rock, classical, and world folk styles. Chernicoff
knowingly enriches simple song structures with layers of counterpoint
and intriguing instrumental colors. His own vibraphone and bright contributions
by Tim Moran are most often splendid ” Downbeat
”With his incredibly
talented ensemble, Chernicoff was able to achieve the nearly impossible
task of rendering sophisticated improvised music in an accessible manner
without sacrificing its integrity or pandering to popular tastes. The
show was also impeccably paced, with never a dull moment. Best concert
of 1991!”
Berkshire Eagle
“His compositions
began from deceptively simple structures, then expanded into complex,
spontaneous counterpoint… with a sense of controlled freedom. This is
an unusual and engaging band, with energy, lyricism, and humor... very
memorable. Catch them next time they’re around.” Albany
Times-Union
“... rich in
its extended harmonic range, [with] a subtle jazz beat... Chernicoff
demonstrated his skill at developing his own original vocabulary.”
Berkshire Record
“There are few
easy niches to put this music into. Some points of reference might be
the Paul Winter Consort / Oregon axis, Don Cherry, or maybe Philip Glass.
There are both ancient and modern qualities to this music… Chernicoff
scores highest as a composer of highly original music with an elusive
‘I’ve heard this before’ quality. This is fascinating music and a memorable
introduction to Larry Chernicoff.” Seattle
Review
“In the hands
of the Chernicoff band, even the most familiar of musical forms became
something alien and askew. Rhythms collided, chords didn’t quite change
when and where you expected…and that’s what makes the music of the Larry
Chernicoff Quintet so compelling and intriguing. [The band] boasts four
world-class improvisers, and each had his moment in the spotlight. Hovering
over all this was composer, keyboardist, vibist and visionary Chernicoff,
a self-effacing Clark Kent, who once every year or so goes into a figurative
phone booth, spins around and pops out as a musical wizard leading one
of the hottest bands around…. .” Berkshire
Eagle